My practice exists in the context of a wider interest in diagrams, such as diagrams of migration or diagrams of control, as well as a way of thinking about art which is created along the logic of a function – the artwork as ‘machine’ for drawing, for sliding, for sex or for surveillance. In my work in general there is a reciprocal relationship between art and life, with objects and ideas constantly travelling in both directions.

 


Installation shot, Pipeline, 2016